Titans (2026): Jayasurya and Vinayakan Anchor a Fantasy That Bites Off More Than It Can Chew
Prince Joy opens on Fort Kochi’s salt-crusted lanes with a getaway car idling and a job about to go sideways.…
Prince Joy opens on Fort Kochi’s salt-crusted lanes with a getaway car idling and a job about to go sideways.…
The first hour of Garividi Lakshmi asks you to sit inside a child’s silence, and the film mistakes that silence…
VISA – Vintara Saradaga opens with its hero behind a microphone, narrating the small humiliations of an Indian student in…
There is no opening night to report, because there is no film to project. A title called The Brandos has…
The village patriarch Parvathalu does not shout when his household collapses into embarrassment; he simply tightens his jaw and scans…
R. Raghav Mirdath’s Drones opens with a suspended astrophysics student hijacking a surveillance drone to spy on a mansion across…
The re-release opens on a rusted grave, not a love story: a remotely operated submersible gliding over the carcass of…
The grain sacks are the first thing you notice. Not the horses, not the colonial flags, but the burlap weight…
Nelson Dilipkumar opens his sequel not with a prison riot or a rain-soaked ambush, but with Rajinikanth’s Muthuvel Pandian pottering…
Three hours and fourteen minutes is a long time to spend with a film that cannot decide what it wants…
Some films announce themselves with a roar, a marketing blitz, a thousand screens. Others simply arrive, or in the case…
Somewhere inside the 174 minutes of Srikanth Odela’s second collaboration with Nani, there is a ferocious film about a people…
Shiva Nirvana’s Irumudi arrives with a U/A certificate and a runtime of 145 minutes, promising a blend of action, drama,…
Two dreamers walk into a forest and the film never quite lets them out. MJ Nitharsan’s Manithee: The Fire Bird…
The film opens on a transaction. A hand slides cash across a counter, a door closes, and we are inside…
The tyranny of the shift begins before a single plot point lands. Anjali Patil’s Selvi moves through other people’s apartments…
The most telling detail in Kitti isn’t a jump scare or a twist. It’s the certificate: UA16+. Nedumaran Mohandoss’s psychological…
Ashok Selvan has spent the better part of his career making smart choices in small films. Anbil Avan is not…
The radio booth is a curious place to stage a heist. In the trailer for Sigma, Sundeep Kishan’s protagonist isn’t…
The bell rings, a cycle chain slips, and somewhere in a 2000s rural classroom, a boy and a girl trade…
The first three minutes of Yezhu Kadal Yezhu Malai arrive like a held breath. Ram, the filmmaker who has spent…
An eight-year-old boy, a deserted school restroom, and the most feared don in 1986 North Madras on the wrong side…
Duniya Vijay has spent his post-Salaga career building a very specific grammar: the Bengaluru underbelly as a living, breathing organism,…
Somewhere in the misted hills of Mekkarai, a village has agreed to a schedule: every seven years, in June, its…
Samjad’s Half opens the way few Indian genre films dare: two figures cutting across a Rajasthan highway at dusk, dust…
The gold pendant does not arrive like treasure. It washes in with the tide, the way everything else reaches Thavasi…
Para: “Karni asks for a body that looks weathered by drought, and Maadhav Bhupathiraju has it — the beard, the…
. – Link 2: after closing recommendation paragraph. Related post 1: “Pradhama Dhrishtya Kuttakkar”, connect through specific shared quality. Anchor…
Aditya is packed off to a UK campus he never wanted, shipped out by family expectation, and meets Kadali before…
The shift from streaming to theatrical is a gamble, and the early buzz suggests the ensemble is carrying the weight.…